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Matthew Smith: The Making of the Landscape

Matthew Smith: The Making of the Landscape
Dates
From 2nd September 2010
to 25th September 2010
Location
City Centre
Address
First Floor
Commercial Union House
39 Pilgrim Street
Newcastle
NE1 6QE
0191 261 8281
Company
Vane
Website
http://www.vane.org.uk
Map Key
-1.611043102685754.9736995438999Matthew Smith: The Making of the LandscapeMatthew Smith: The Making of the LandscapeFirst FloorCommercial Union HouseCommercial Union HouseNewcastleNE1 6QE0191 261 828115

Time: Wed-Sat 12pm - 5pm
Price: Free


PRIVATE VIEW: 1 September 2010, 6-8pm

In 'The making of the landscape¹ Matthew Smith explores how our ideas of landscape and in particular the rural are mediated through the reductive lens of mass culture.

Smith¹s projects in sculpture, drawing, photography and video share a concern with fictionalised and idealised representations of nature and of place, rejecting the idea of one all-encompassing original Œnature¹ in
favour of infinite interpretations, copies and inventions of the natural. He takes as subject matter the utopian pastoral scenes of advertising, food packaging, maps, postcards, tourist brochures or the disjunctions that often
exist between the images of billboard advertising and the locations of those billboards. Smith explores, reveals and navigates a way through these myriad natures.

'The making of the landscape¹ is Smith¹s first solo exhibition at Vane, consisting of drawn, photographic and painted works produced over the last decade. Imaginary topographies are created using the convention of the
contour lines of map makers; parts of the English coastline are rearranged to form new and uncanny islands; photographs of nondescript motorway junction signs are delicately hand-coloured as if they were Victorian
postcards of beauty spots; drawings depicting the different species of native British wildlife, taken from a guide are rendered in such a way that there is no distinction between the 'common¹ and 'endangered¹; an horizon is
composed of corporate logos themselves based on images of snow-capped mountains.

Smith questions how these images inform our experience of the natural world and how these manipulated representations become part of our understanding of the reality around us. He reveals our belief in nature as something seemingly more authentic and more 'real¹ than our man-made, urban
environment to be a nostalgic hankering after some imaginary idealised past way of living.



Matthew Smith, Junction 33, 2009, coloured ink on black and white photograph, 75x33cm

 

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